Christian Dance – How to adapt Choreography to use worship flags in Christian dance

Many people ask me how you can incorporate the use of worship flags into Christian dance without just simply twirling them. The simple answer is that you consider it as part of your body! This, I recognise is easier said than done. We have the habit when we move, of moving within our own ‘box’ or ‘frame’. A predetermined space or movement set up, where we are comfy. Christian dance is about encouraging people to move out of the box and into a new way of moving that allows them to have a deeper connection with God. Just like you have to work to deepen your learning and understanding of a subject. You also have to do this for Christian dance. This means that God will have even greater space to move through you and demonstrate Jesus to others.

Group of worship dancers moving with worship flags.

What is adaptive choreography?

Dancers and movers often put themselves in one of two groups for Christian dance – worship flag dancer or non-worship flag dancer. Both of which are self-explanatory. It doesn’t mean that they don’t ever do the other group. It means that they have a group they are most comfortable with. Often moving into the other group takes courage for some dancers.

Identifying a way that you can move seamlessly between groups can help build confidence and develop your worship dance skills. Here are just a few things to encourage you as you try this.

How do you hold your flag?

Flags (or banners) essentially consist of some form of rod and a piece of material. The exact make up of these two, is dependent upon your preference. I teach using dowelling as the rod and a rectangular piece of material. These I believe offer a greater foundation for beginners.

When holding the flag, the ideal placement is thumb and index finger sandwiched around the base of the material where it is on the rod. This means that as you move the flag you can also untwist the rod if the material begins to get caught around it.

Christian dance holding flags between finger and thumb.

What initial movements can I do?

Initial movements with a flag involve circles, side ways figure of eights, ripples, throws, turns, rainbows and twists. Although with these you can travel and move them, they can be quite static in comparison to ‘dancing’ with the flag.

worship dancers mirroring movements.

So how can we move from a static place to incorporating fluidity with the worship flag in Christian dance?

Firstly, you need to remember two very important things when choosing to move with the flag:

The flag is an extension of your arm. When you choreograph the worship flag sits at the end of your arm. This means that one arm is longer than the other, but that doesn’t mean your usual movements are inhibited.

Golden worship flag

Moving with a flag brings Gods power. Moving with a worship flag/ banner should not be done lightly. It’s an act of bringing Gods power down to earth in an almighty and visual way. Therefore know why you choose to use a flag and know that you are declaring Gods power in the process.

Secondly, choreographing without a worship flag first makes adapting with a flag easier.

In the video below I first choreographed, movements using my body alone. I went over and over these movements until I knew them well. Once that was done, and only then, I picked up a worship flag to use within the already choreographed moves. Some of the movements naturally transposed to using the flag with them, others needed adapting slightly.

Good to note…

There are many ways to develop movement using the worship flag in Christian dance. But this is a way I would encourage for those that are not used to choreographing with flags. It allows dancers to see a difference between moving with and without. Plus the effect some changes can make in order to use the worship flag effectively.

In addition, the more comfortable you get with moving with a worship flag, the more spontaneous your movements become. Creating the fluidity you might see in others who are more experienced using them.

I’d love to know what ways you choreograph and develop movement with flags? Or how you choreograph and move with a flag!! Click here and drop me a line.

If you would like to join us at one of our events, make sure you check out our Events page.

Pinterest adapting choreography with christian dance

Jesus for Kids – Priniths excitement at stepping out to teach children Worship Dance.

In 2019 Prinith joined a UC Grace training day that focused on teaching children dance and movement with your faith. It provided tools and tricks to enable an encounter of Jesus for kids using worship dance and movement as the stimulus. I caught up with Prinith to find out the impact that this training day had on her teaching children and engaging them in worship dance and movement.

One Big Rainbow feather fun – UC Grace

Q – Why was it important to develop your skills in teaching children dance and faith?

“I am a Tots Helper at my church, which is great because it means there is no pressure to be in charge, but I am allowed to lead little bits as I wish. I’m also really encouraged to dance at my church. One of my friend’s kids, before she knew my name, knew me as the ‘dancey lady’. Therefore, you have an impact by modelling it and I wanted to be able to equip our kids because dance is a natural way for them to engage in worship.”

“I’ve done Movement in Worship’s training the trainers course and within the Springs Dance Company apprenticeship there was a teaching module. But to adapt that for children, was interesting and what I really wanted to learn through attending the Jesus for Kids – teaching dance and movement training day.”

Q – What did you learn through attending the Jesus for Kids – Teaching Dance and Movement training day?

“Just how to create activities so they would learn through having fun. But also thinking about things, like how can a warm up lead me to the end point. The big thing that I learnt was the idea of exploration, like ‘here you go, let’s do this, let’s go through this’, whichever age you do it with, it will work for. They explore. But then you get to the end goal, having done all this exploration. That’s the key learning that I’ve taken from UC Grace – let’s explore this, let’s play and then we’ll get to the end point eventually.”

“I found it really useful on the training day, that we actually put into practice what we were learning and started using it straight away. For example we had a theme and we worked in pairs, came up with an idea and then delivered it.”            

Family Advent Fun – be a role model. UC Grace
One Big Rainbow exploration time (under 5s)

Q – How have you put into practise what you have learnt since then?

“I remember talking to my CDFB regional coordinator and she really encouraged me to put it into practise as soon as possible, which was a really helpful tip. If you do Anna’s workshop, you need to put it into practise as soon as possible, to cement what you’ve learnt and keep it fresh.”

“I led our tots session on the parable of the lost coin, it was great fun because we ‘sparkled and shone’, we ‘whistled while we worked’, and we hunted for it to James Bond music, which the adults loved music wise but went over the heads of the tots! What was also really good was, we have a little boy with Downs Syndrome, who decided that the craft activity (which was rubbing coins), was not for him. Instead he played ‘lets hide the coin, lets find the coin’ under the sofa. Which just proved that teaching children through movement taught them the story. He knew that we were looking for the lost coin.”

Q – What impact has it had on the children in your church?

“My church is a multi-site church, so there are children that don’t go to the same site as me, but they still seek me out to dance when we have our meeting together. There was one little boy last autumn that sought me out, and wanted to dance in the worship with me, because he’s known me and he’s seen me teach them, he’s seen me model it. He’d watched too much strictly, there were all kinds of moves, including slides across the floor! Then more recently, there was girl that was watching me dance. I had taught her movement at the church weekend away,but didn’t think she’d taken anything in, but she came and followed all my dance moves perfectly and danced with me, it was amazing, I have a huge soft spot for that little girl now!”

Drama, Dance and Craft. UC Grace

Q – What is one golden nugget that you go back to every time?

“Exploration!”

“Teaching children is probably the most exciting workshop I have ever done, and I’d encourage anyone who wants to grow in their teaching skills to seek training from UC Grace.”

Prinith de Alwis Jayasinghe leads the Movement in Worship Birmingham Base and goes to Churchcentral West in Birmingham.

Moving Rainbows session with youth helper

How can I find out more about Jesus for kids – Teaching dance and movement?

There are several options to learn more about sharing your faith using dance and movement with children. We regular run in person training days – full details available here on the website.

By the end of the 2020 there will also be the chance to do an online course. Additionally a comprehensive written manual is due for release in 2021. If you wish to be the first to hear when our online course launches, the written manual is available, as well as other events in our Jesus for Kids training then head here to let me know your details.

Creative activities painting
Creative Prayer and craft activity time at Little Rainbows – under 5s.

Teaching Children Dance and Movement Round Up

Teaching children dance and movement exercise one.

What a fantastic day we had learning from each other. The day was split up into 3/4 sections, in each section there was a talk and discussion, an exercise in pairs to put into action what was discussed and then a time of delivery – so practising what they had just planned. Everyone had such different ideas, it was great to spark off each other and encourage those that felt a little shy.

Section 1 – warm up and ice breakers

This is a really important part of the workshop which I chatted about in the blog post 6 Essentials when planning a dance worship workshop. The challenge here was introducing a theme and working out how to devise a warm up based around a theme. The topic of water came up as a common one, but some participants soon realised that they weren’t sure which bit of water to focus on.

Water is a good example of a topic that has so much possibility for a workshop. It’s a key feature in the Bible, creation and our journey of faith. Ideas for inclusion in a warm up included –

  • Ice – freeze/ still movements leading to melting and then adding travelling motion in.
  • River – how the water flows in and around rocks, some of the children being rocks and others being the water that passed around them.
  • Waves – the crashing sound, being tall and small. Rolling on the ground and stretching wide. Spinning a partner out and then having them roll back in along their partners arm.

All the above areas of water can be expanded and padded out loads after the initial warm up. Remember the warm up is an opportunity to have fun, get everyone moving and introduce a small part of the theme.

SAMSUNG CSC

Section 2 – Planning an under 5s workshop. We looked at Psalm 18.28-33 for this section.

“You, Lord, keep my lamp burning; my God turns my darkness into light. With your help I can advance against a troop; with my God I can scale a wall. As for God, his way is perfect: The Lord’s word is flawless; he shields all who take refuge in him. For who is God besides the Lord? And who is the Rock except our God? It is God who arms me with strength and keeps my way secure. He makes my feet like the feet of a deer; he causes me to stand on the heights.”

The sets of verses above provide some awesome imagery with which to design workshops and themes. We used this passage as a starting point thinking about a workshop for under 5s. Just a few things that came out of our initial discussion was:

  • Standing on a rock – strength
  • Light
  • Battle – warfare
  • Refuge
  • Like a travelling song
  • Perfection
  • Scaling a wall

Participants worked in pairs and looked at one section of the workshop plan (Read more about the 6 essentials when planning a dance worship workshop here) putting together an outline of movements, before then teaching it to the rest of the group.

Section 3 – Choreographing a dance for 5 – 11 year olds

How many of you have the song ‘My Lighthouse’ in your church? There are several different actions that have been put to the words of this song – your church might already use some. So, I thought it offered an opportunity for participants to choreograph something that they could use within a workshop or group of children.

Working in groups we looked at the different verses and put together some movement. You can check out what we did below.


We begun the day by looking at why we want to invest in children, what the Bible says and the reasons that brought the participants to the dance day. As we finished the day we spoke about how we can encourage a conversation of prayer during the workshops by having some creative prayer exercises. That by demonstrating how to dance and make it a conversation with God, you can encourage each child to have ownership of their journey of faith and conversation with God.

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6 Essentials when planning a Dance Worship Workshop

Planning is essential in all forms of delivery, whether that is for dance or something different. Throughout nearly 20 years of teaching, I have tried many ways to layout a dance workshop or session, today you get to hear the layout I find most useful!

It might be that you want to create a whole session or just one exercise or series of movements, whatever it is, it is still the same process. We’ll talk in terms of a ‘session’ but the same applies to an exercise/ series of movements.

This post is all with reference to leading a Christian based dance worship workshop of some form. However, all that is shared can be applied in a normal secular context without faith.

Before we get going though, there are a few things that you need to have decided in order to plan the workshop most effectively –

  • Who will be your age or population focus?
  • What is your theme – including the main focus and intended outcome
  • How long is your session and how will you divide elements within the session
  • What is the number of participants that will be at the workshop, or what are your maximum numbers?

Each one of the above can impact the workshop in different ways, so take the time to make it specific to what you are wanting to achieve.

6 essentials when planning a dance worship workshop

So what 6 essential things should I include?

1. Ice breaker

Whether you know the participants well, or they are completely new faces, you can never start a session cold. An ice breaker allows participants the opportunity to begin the session recognising that they are in safe space, that their ‘ability’ won’t be questioned, and that they feel welcomed to see where the workshop will take them.

This initial opening/ ice breaker will set the tone for the rest of the workshop, participants will either be hooked and want to go further or may feel unsure about continuing. Therefore this ‘hook in’ needs to grab their focus, allow participants to tune in with others and get ready to learn what is coming.

Here’s a few ideas that are tried and tested, they are all adaptable for all ages and abilities –

  • What’s your name and where are you from?
  • How has your week been? Can you use one word to describe your week?
  • What brought you to this workshop? What’s one thing that you’d love to learn in this workshop?
  • Say your name and do an action, everyone else copy, work your way round the group.
  • Make a freeze shape of how you are feeling about the workshop at the beginning.

Imagine these 5 minutes (because that’s all it usually is) are your welcome speech, the chance to win the vote of everyone and have them wanting more. Have energy, be friendly, encourage discussion.

2. Warm up

This is so important and should NEVER be by-passed. Not only does it prepare our body, but it also ensures we are safe with our movement, our listening and helps us be our best in the session. So, what do I need to do in a warm up?

Raise the heart rate – it’s important to gradually raise our heart rate and body temperature. This will decrease injuries and increase the body’s ability to move more efficiently.

Create a sense of fun and involvement – look at it as a great opportunity to let them see who you are, how you teach and to get moving with you.

Include dynamic stretches – these are stretches that move and encourage the body to go beyond its normal range of motion, therefore stretching and molding the muscles to work effectively.

Introduce the theme – the warm up is fab place to subtly (or not) introduce your theme. Be creative and be literal, with children a game can be a great place to start.

Exploring movement

3. Exploration

Before you rush head long into a sequence or main part of the workshop, it’s good to lay the foundation of what the session will explore and provide the chance for participants to learn specific moves which may aid them later in the workshop.

You may prefer to call this section exercises, as it allows set themes or movements to be explored that provide focus. For example, if your theme was God’s Breath, here’s one thing you could do –

In a space focus on taking 3 deep breaths, filling and emptying your lungs as much as you can. On the next set of 3 breaths, take yourself up on a rise as you breathe in, and lower as you breathe out. On the next set take a step forward as you breathe in and step back as you breathe out.

This very simple exercise can be developed in whatever way you want to fit in with the participants, and challenge them more if needed. To lengthen and imprint the impact breath can have on initiating movement, ask them to close their eyes as they do the movement. This will do several things –

  • Increase their awareness of their breath and the size of their movement
  • Encourage them to work on their balance and their core
  • Help them to feel the weight in their movement, therefore adding another dynamic to how it can be developed.

Don’t overthink the exploration that you want to do. Provided you know what you want as your intended outcome, this section can be a real fun section to develop.

4. Sequence

Whilst I have called this section ‘sequence’ I recognise that not all workshops will have a sequence as such to learn. So, consider this also the ‘main bit’, the chunk that you really want everyone to grasp from the workshop.

This could involve learning part of a set sequence, group work expanding a Bible verse, song verse, the theme, working with a resource, and so much more!

But what you need to remember, is that whatever you did in the previous section needs to flow with ease into this one, a seamless transition, rather than a stilted connection.

5. Development/ free movement

Up until this point, you will have mostly guided, taught or impressed on participants the best way forward with their movement. This section allows the participant to start to take some ownership over their movement style and how they want to develop.

More often than not, this is where I give my participants a very loose task. I do this because I believe by this point in the workshop, they are capable of simulating movements together themselves and working with a partner or bigger group to create something that flows with the theme from the exploration section, to sequence section to this one. It’s also a great chance for me to sit back and see Gods work in progress, which is the most exciting bit of course!

Supporting through prayer

6. Cool down/ reflection

Just like it’s important to begin with a warm up, it’s also essential to finish with a cool down. This section has two purposes.

The first, to lower heart rates and bring our bodies back to a place they are normally at, using stretches and breathing to do this.

The second, to reflect on the impact of the session, to pray together or with someone individually, or take a moment of quiet. You can never underestimate the impact that a workshop will have on someone. It may not be obvious on the day, but God always moves, even when it’s not visible.


As I mentioned at the beginning of this post, this outline is a process that I have found works well for me. Each of us are individual and all work differently. Take your time to find out what works for you, practise it and let God lead!

Let me know what are your essentials when you’re planning a worship workshop.

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Christian Dance – 3 things that influence my dance ministry teaching

I love teaching and I love being able to intertwine faith and dance together. This is because I see them as one, a continuous cycle, so one can’t function without the other. Therefore it makes sense to teach them both! However, there are 3 key things that influence my dance ministry teaching and I’m looking forward to sharing what they are here and how they are a springboard to UC Grace.

1 – My faith journey impacts my dance ministry teaching

Our faith helps us display who God has made us to be. It helps us realise and accept the qualities and purpose God has written on our lives.

In my dance ministry teaching, my passion is to help these things to develop – passion to teach that God has written our purpose in our lives already. Purpose to identify how you can use the experiences you have in your life to encourage you in your walk. Freedom to give you space to grow and release who you are.

In other words, it is my desire to share my faith that propels me forward with my dance ministry teaching. The enjoyment I get from learning more about God’s word and demonstrating that through dance and movement. Leads me to build and share into dance ministry from a strong foundation.

Quote - Our hearts follow Jesus. Jesus fills our hearts. Our hearts initiate our movements. By Anna Gilderson.

2 – Childhood memories helped grow my dance ministry teaching

Memories pay such a key part in building our foundation for how we live the rest of our life. Here are just two stories that helped to lay the foundation of where I have come from with dance and teaching.

  1. The first story is about when I began dancing. Something stirred in me, even from a young age, I loved it. From an early age I was given the opportunity to take part in solo’s and duets at competitions. There is one memory that sticks with me. I was performing at a competition and have lots on fun, until I managed to forget my dance!!! It left me with such a feeling of embarrassment, upset, and shame. It made me shrink back from performances.
  2. Who has felt that tug of the Holy Spirit, the nudge that you should do something, or that total abandonment feeling that the Holy Spirit is there right with you? Who has had that through movement? What an experience! The first time this happened, my eyes were opened to how I could share my heart with God and be lost in the process. There was no pressure to do things a certain way, or wonder about whether I was doing it right. It was just purely sinking into God in that moment to grow closer to him through dance and movement.

The impact…

These two very simple stories, are what started my journey to where I am now and influenced me moving forward.

Amazingly, as a result of the stall in performance as young girl it means that when I perform now, I have to make the choice to lean on God throughout the whole dance.

Making the effort to breath is the most important thing! Although breathing seems such a simple thing, it enabled to remain grounded throughout the dance and choose to put my focus on God. There have been many times since then, that I have struggled with performances, and I know during those times it was because I wasn’t leaning on God and trying to do it by myself.

Recognising the nudge from the Holy Spirit has made me more aware of my journey and conversation with God. That important thing, of both talking and then allowing time to listen back. Realising that the reasons you move, may be different to what others may see in your movement. Where you have the chance to be blessed and bless others. To look for the GRACE in that moment and seize that conversation with God.

3 – Making training a priority for my dance ministry teaching

I mentioned at the beginning about how I see faith and dance intertwined as one thing. Think of it like this –

As you grow in dance, you grow in God.

As you grow in God, you expand you dance.

This quote is brilliant as it demonstrates how our relationship can go round in a continual circle. By investing in one of the things (faith), it influences the impact that the other (dance) can have.

Most importantly it offers the chance for continual growth. Part of recognising the space for that continual growth is immersing myself in God’s word. Allowing space for the scripture and it’s application into my heart and how I can apply it.

For dancing, it’s taking the opportunity to learn and be grounded in dance technique, that has been essential in the development of my dance skills. Part of learning those skills and technique involved going back to university as this offered the best place for me to grow in teaching styles and and understanding of creative process.

Creative process within dance teaching ministry is extremely important as it’s where we really let the Holy Spirit fly. Choosing grow in your faith and dance will have no impact if you don’t let Holy Spirit work alongside you.

Dancing together at a dance ministry teaching workshop.
Living Colour February 2018

What does this mean for me?

In your personal dance ministry teaching you need to understand how the past, present and future can impact it. Here are some simple things for you to think through and how they could affect your teaching journey as you go forward.

  1. Your past experiences influence the passion that drives you. What speaks to you most, what stories do you remember the most? How does your faith connect you to your dance and movement journey?
  2. Your present situation will help you define the purpose that you stand for with your teaching. Do you feel adequately equipped to step out into dance ministry teaching? Are there things that you need to learn more of?
  3. The future offers you a chance to bring freedom to many through dance and movement. However, in order for this to happen, you need an open channel of communication with God, a continuous conversation allows both parties to listen and respond.

What’s your story? What got you to where you are, at the moment?

Why is creativity so important?

The word creativity has been on my mind a lot recently, it’s taken me right back to why I started UC Grace, and how Living Colour dance workshops came about. I’ve been reading through previous notes and realising that at times it’s important to go back to your roots.

The ultimate reason I began UC Grace in 2010 was a passion to share with others the impact that dance and movement can have with our faith, and how it can be instrumental in encouraging others in their walk, bringing others to faith, and teaching Gods word. I wanted to acknowledge that God has given us a creative spirit, to explore, move and grow with. To put ourselves outside the box.

But as with so many things in life, distractions arise and before you know it, where you think you were, you no longer are.

Creativity takes courage. Henri Matisse

A dear friend gave me a card with the saying ‘Creativity takes Courage’. Initially I read it and put it to one side. Until last week, when I was drawn back to it, and the need to understand the implications of what that phrase means to me and to UC Grace.

Creativity has been a fundamental part of how UC Grace has developed, it’s integral to how we deliver our workshops, training and dance weekends and is actively encouraged amongst participants to help them draw closer to God.

However, I’ve felt challenged, that this fundamental root, the thing that shines through our work and sets it apart from others, has wilted. Don’t get me wrong, I’ve delivered all events with the same amount of gusto and passion, but had a feeling like something was missing, but not knowing what.

As this year has got underway, the Holy Spirit has whispered in me more, and I’ve realised its creativity that’s missing. Or more specifically how I share the connection of dance and movement and our faith, by offering a creative channel within which to do it.

Let me share for a moment what I mean by creativity with dance and movement and our faith!

An aspect that we look at a lot, is our journey, how we’ve got there, and where we might be going to. At one particular Living Colour session I asked participants to take a piece of paper and think about the journey that they had been on over the last week, and if they drew it, what would it look like? I then asked them at what points on that journey did they know that God was with them, and to mark it on the paper. From there their task was to transpose that picture into movement working individually initially, but then as a group. You can read more about how they did it, by reading the workshop plan here. But for now, look at the video below to see how they went from a picture to movement.

So why does it take courage? It takes courage, because for a lot of people creativity is something they don’t experience in their day to day. It’s something that doesn’t have a written step by step process, or tick boxes. It’s something that draws us to discover something new about ourselves, by stepping out the box.

The process is as important as the result is, both of which you might not have control over. Creativity takes courage, as it challenges your perceptions, your routine and your mindset. At UC Grace, that discovery happens in a safe environment, where whatever the result is, we support you as best as we can. Most importantly though, you join in as much or as little as you want.

It’s never been about the numbers that come to events. It’s about the hearts. I believe that if you join us at our events, God has put you there for a reason, and I value that. The connection between creativity and people’s hearts is so important.

So, the soul of our Living Colour dance mornings, our soak evenings, dance days and dance weekends is…

Over the next month or so, I am looking forward to continuing to weave this strand, across the whole of UC Grace, some of what is on our website currently is not where UC Grace is now. As God moves each of us on in our journey, God also moves UC Grace, and I’m looking forward to delving into putting creativity right back at our heart, as well as revisiting our values and vision.

We started with that phrase in 2010, let’s head back their in 2019 and see where it takes us.

I’d love to know your thoughts and experiences, if you have danced and moved with UC Grace. But also, those that haven’t, how do you use creativity? What does it mean to you?